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Educational portal for Modal Music

Turquie - Kurdistan

Ahmedo Ronî, song of the Kurdish dengbêj

  • Genre :
    Popular music
  • Tradition :
    Tradition of the Kurdish Dengbêj
  • Piece name:
    Ahmedo Ronî, chant des dengbêj kurdes
  • Specifics:
    Lamentation, song of mourning


This song, "Ahmedo", was popularized in Kurdistan and Turkey thanks to the film Yol ("The Road"; the title of the film in French was different: "Permission"), by Şerif Gören and Yilmaz Güney (1982, Palme d'Or at the Cannes Film Festival).


Ahmedo Ronî played by Ruşan Filiztek
Présentation générale

Presentation of the musical piece Ahmedo and its particular history

This song, "Ahmedo", was popularized in Kurdistan and Turkey thanks to the film Yol ("The Road"; the title of the film in French was different: "Permission"), by Şerif Gören and Yilmaz Güney (1982, Palme d'Or at the Cannes Film Festival).

This is a song that comes from the region of Mount Ararat (in green on the map)

carte Turquie 2

Presentation of the dengbêj tradition in Kurdistan:

Analysis

INTRODUCTION
Dengbêj and stranbêj

Lamentations and stories, legends and epics, in Kurdistan, are mainly sung by the dengbêj: men and women whose singing style is particular.

Dengbêj: troubadour, storyteller
From deng: "voice", and -bêj: "to say".

Stranbêj: singer
From stran: "song, melody", and -bêj: "to say"

HIJAZ MODE

POETRY

Here is the translation into French of the poem of this song:

Ahmedo, my clarity, my dear,
You are neither lord nor doctor
Young boy, you are neither lord nor doctor
In my heart, I who am a poor man of God
There is a rain of spring rains
The months of May, April and March
On my chest, I who am a poor man of God
You are neither poured nor rain
Ahmedo, my clarity, my dear,
My name is Besna
Young boy, my sorrow
My name is Besna
My fingers are full of pearls
My chest, I who am poor of God
It is like a cottage and a palace at your disposal
Guide your flock of goats in it
With my own will, I have given you permission

Translated by Sara Anter Cecen

RHYTHM AND IMPROVISATION

DENGBÊJ SINGING STYLE

The specificities of this singing style, the work of vocal ornamentations and the sources of teaching.

Nizamettin Ariç is a Kurdish musician and filmmaker, born in 1956 in Ağrı in western Turkey. He learned dengbêj singing as a child but only sang publicly in Turkish during the early years of his career. In 1979, after being arrested for singing in Kurdish at a concert, he went into exile in Berlin, where he continued his career as a singer and director (A Song for Beko, 1992, was one of the first films made in Kurdish).

Musical and cultural context of Kurdistan: the role of the Dengbêj

 

Complementary work

a Yezidi Kurdish song

This song is called Sherfedin (Şerfedîn), named after Sheikh Sharaf ad-Dîn ibn al-Hasan, a holy martyr very important to the Yezidi. Died in 1258, this sheikh (religious scholar) was then the head of the Adawiyya Sufi order, from which the Yezidi religious movement was born.
The temple in honor of Sherfedin, in the Sinjar region of northern Iraq, is considered one of the most important sacred places by the Yezidi.

General presentation of singing

Melodic and rhythmic study, context of play, dance and ritual trance:

Saz

It is the instrument of choice of the âşik or âşuk: literally "the lover", this word designates the itinerant singer-musician, the poet or the troubadour.

Instrument:

Making and tuning the saz:

New interpretation of the work

Ahmedo Ronî performed by Ruşan Filiztek and Artyom Minasyan

On the album “Sans souci” (Accords Croisés, coll. Vox Populi, 2021), I composed and recorded a new interpretation of “Ahmedo”, with Artyom Minasyan on the duduk.

Born in Armenia in 1979, Artyom Minasian is a recognized master of the duduk. He now lives in France.

Here is how I envisioned this creative work in collaboration with Artyom Minasyan and the duduk:

You can listen to this version, “Ahmedo Ronî”, here:
https://www.youtube.com/watch?v=te-bxLU5aAI&list=OLAK5uy_lUrBmVz5EG5XDTxT09UIB_0_FepidZNYc&index=2

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